a5c7b9f00b The anxious, clumsy and abused office clerk Wesley Allan Gibson has a hell and boring routine life: his obese boss humiliates him all the time and his girlfriend betrays him with his colleague and best friend during working period. When he meets the sexy Fox, Wesley is informed that his father was a professional killer that belonged to an ancient organization called Fraternity and killed by the skilled and powerful Cross, a hit-man that has betrayed the Fraternity. Wesley learns that his anxiety actually is a manifestation of his latent abilities and he joins the society under the command of Sloan. Trained by Fox, he changes his personality and attitude, being prepared to face the dangerous Cross and find a hidden secret.
A frustrated office worker learns that he is the son of a professional assassin and that he shares his father's superhuman killing abilities.
There are too many things wrong in this movie to detail each and everyone here. I'll try to cover the worst. PLOT: Not that much of a plot. The "special powers" of the members of the frat is never fully explored. Just the statement of high adrenaline rush and high reaction time. The orders to kill sent by an unnamed spiritual entity in binary code on the weaving of a piece of cloth… well…. It really exists to allow Sloan to tamper with the orders and profit with some kills, at least that's what is hinted in the movie. PHYSICS: Bending bullet trajectories?. Totally unbelievable and absurd. Jumping from one building to the roof of another?. If the character had a cape, a superhero suit and an extraterrestrial ancestry I might had bought that. GORE: Just excessive. Not really necessary to show that much blood and body parts flying around. The molar in one of the first scenes was really too much. On the other hand, I really went to see the movie just to see Angelina Jolie. Not the greatest actress in the world. No even close, but one of the sexiest persons in the movie industry. But not even her presence could rise the rating above 3 stars. Special effects, are well done, but without a good plot, they are like a frame with no painting in it. In the end, a poor experience. Not really worth the US$ 8.5 of the ticket. Better wait for it to come on cable and spend the money on a pizza…
I gave the movie a 2 out of 10 for the unwanted AND useless AND unneeded sexual content and offensive language. The plot was great! I would have enjoyed the movie much much more without the sexual content and offensive language. The actors in this movie deserve better than to have to stoop to the language and sex in scripts these days! I am a big fan of films like the Matrix that are science fiction; futuristic; and action-packed. This film definitely is action-packed in my opinion and keeps you on the edge of your seat! Just when I thought I had the plot figured out…and I just knew what would happen next; BAM…I was totally blown away. This film could (in my opinion) be re-written cleaner for a much more enjoyable experience!
Wanted has one good plot twist in store (though it makes little sense), and its sense of humor about its own silliness keeps the fantasy afloat for a while. Butthe body count rises, so does the portentous tone, and the relentlessness of Bekmambetov's overamped style becomes oppressive.
Wanted is loosely based on a comic book miniseries of the same name by Scottish graphic novelist Mark Millar, with art by J.G. Jones, published in 2003 and 2004 by Top Cowpart of Millar's creator-owned line knownMillarworld. American screenwriting partners, Michael Brandt and Derek Haas, adapted the comics into the original screenplay, which was revised in part by screenwriters Chris Morgan and Dean Georgaris. Wesley Gibson (<a href="/name/nm0564215/">James McAvoy</a>) and the Fox (<a href="/name/nm0001401/">Angelina Jolie</a>) have made the transition to film largely unchanged, the only major differences being their appearance (Wesley being originally modeled on <a href="/name/nm0004896/">Eminem</a>, and the Fox on <a href="/name/nm0000932/">Halle Berry</a>). Wesley's boss, girlfriend and best friend are also largely unchanged. However,the main plotline of the comic books (in which all of the main characters are actually supervillains modeled on DC characters) has been altered, many other characters were re-imagined or cut entirely from the film, examples being: (1) Dr. Solomon Seltzer (a short, bald super-scientist and friend to Wesley's father) becomes Sloan (<a href="/name/nm0000151/">Morgan Freeman</a>); (2) Mr. Rictus (an evil, ghoul-faced murderer) becomes the assassin Cross (<a href="/name/nm0470981/">Thomas Kretschmann</a>) and is also referenced in the filman assassin killed by Cross; and (3) The Killer (famed assassin and Wesley's father, modeled after <a href="/name/nm0000169/">Tommy Lee Jones</a>) becomes Mr. X (<a href="/name/nm0641244/">David O'Hara</a>). There are significant changes from the comic book.<br/><br/><ul><li>Perhaps the most significant change is the underlying purpose of The Fraternity. In the comic, The Fraternity are a secret group of supervillains with an array of powers and they behavesupervillains would be expected to: committing crimes and killing people. In the movie The Fraternity is a secret guild of assassins who work to maintain order in the world by assassinating evil people. The film portrays them in a far more positive light than the book.</li></ul><br/><br/><ul><li>The book is far more vulgar than the movie and revels in pushing boundaries of taste in terms of violence and sexuality. In the book characters talk much more matter-of-factly about topics suchmurder, rape, pedophilia, and bestiality.</li></ul><br/><br/><ul><li>The backstory of the film is entirely different from the book. In the comic a group of supervillains murdered all the superheroes and erased their existence from reality. In the film a group of medieval weavers-turned-assassins founds the Fraternity to maintain order.</li></ul><br/><br/><ul><li>Most of the characters were wholly invented for the film. While Fox and Wesley make the transition largely unchanged Wesley's father is almost completely different from how he was portrayed in the book, Mr X, Sloan, The Russian, and the Gunsmith (<a href="/name/nm0996669/">Common</a>) are complete inventions. The Repairman (<a href="/name/nm0912938/">Marc Warren</a>) is an expansion of an unnamed character who appears in a few panels in the book, and The Butcher (<a href="/name/nm0049079/">Dato Bakhtadze</a>) is created from a scene in the book where Wesley himself is sent to work in a slaughterhouse to help desensitize him.</li></ul><br/><br/><ul><li>The plot is dramatically changed. While the introduction and Wesley's training are very similar the plot of the comic involves intrigue between different factions of super villains while the film deals with the efforts to apprehend one rogue assassin. In addition the film focuses far more on Wesley's quest to avenge his father. While the book version of Wesley is interested in knowing who killed his father it is not a driving aspect of his character.</li></ul><br/><br/><ul><li>Scenes of Wesley's training are greatly expanded in the film.</li></ul><br/><br/><ul><li>The film version of Wesley is considerably nicer and more sympathetic than the comic version.</li></ul><br/><br/><ul><li>The film includes far more moral conflict about the nature of what The Fraternity does than the comic book.</li></ul> Derek Haas and Michael Brandt have already been hired to write by Universal, but the sequel has been in development hell for the since 2010 or so. The song is called "The Little Things", and is sung by the film's composer, Danny Elfman. No, but there are a couple of interesting shots that give clues about the development of the plot. One of them is when Wesley leaves his apartment early in the film, he tries to straighten a sign on a pole warning about rats. That sign is posted over another one reading "Your fathers's". Following the scene, the camera focuses on the apartment where it's later revealed that this is where his real father lived, thus, composing the message: "Your father's apartment". The scenes with the Russian also give clues, since he seems to be the only true friend among the weavers. He ultimately gives Wesley the key to achieve his father's objective by showing him about the combination of peanut butter and plastic explosives, and saying "imagine if you had a thousand".
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